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Su Song' (; style
Zirong 子容) (
1020–
1101 AD) was a renowned
Chinese people statesman, astronomer,
cartographer, horologist,
pharmacologist, mineralogist,
zoologist,
botanist,
mechanical and
architectural engineer, and
ambassador of the
Song Dynasty (960–
1279 AD).
Su Song was the engineer of a water-driven astronomical clock tower in medieval Kaifeng, which employed the use of an early escapement mechanism; the verge escapement was not known in Europe until 1275 AD.Needham, Volume 4, 445.Needham, Volume 4, 448.Bodde, 140.Fry, 10. The escapement mechanism of Su's clock tower had previously been invented by Buddhist monk Yi Xing and government official Liang Ling-zan in 725 AD to operate a water-powered
armillary sphere, although Su's armillary sphere was the first to be provided with a mechanical clock drive.Needham, Volume 3, 351. Su's ingenious clock tower also featured the oldest known endless power-transmitting
chain drive, called the
tian ti, or "celestial ladder", as depicted in his horological treatise.Needham, Volume 4, 111. Su Song's treatise about the clock-tower,
Xin Yi Xiang Fa Yao (新儀 象法要), has survived since its written form in 1092 and official printed publication in 1094. The book has been analyzed by many historians, such as
Joseph Needham. However, the clock itself was dismantled by the invading
Jurchen army in AD 1127, and although attempts were made to reassemble the clock tower, it was never successfully reinstated.
Although the
Xin Yi Xiang Fa Yao was his best known treatise, Su Song had other works compiled as well. He completed a large celestial atlas of several
star maps, several Earth maps, as well as a treatise on pharmacology. The latter discussed related subjects on mineralogy, zoology, botany, and metallurgy.
Although later European
Jesuit travelers to China such as Matteo Ricci and
Nicolas Trigault would briefly mention Chinese clocks with
drive wheels in their writing,Needham, Volume 4, 438. early European visitors to China mistakenly believed that the Chinese had never advanced beyond the stage of the clepsydra clock and sundial. They believed that advanced mechanical clockworks were new to China, and were something valuable which Europe could offer.Needham, Volume 4, 435-440. Although not as prominent as in the Song period, contemporary Chinese texts of the Ming Dynasty (
1368–
1644) describe continued designs of mechanical clocks in China from the 13th to 16th centuries.
Life and works
of Su Song's Astronomical Clock Tower.
Su Song was born in modern-day
Fujian, near medieval Quanzhou. Like his brilliant contemporary Shen Kuo, the discoverer of
true north for better
navigation with a
compass, Su Song was a polymath. It was written by Ye Mengde that in his youth, the young Su Song mastered the
Imperial examination and rose to the top of the examination list for writing the best essay on general principles and structure of the Chinese calendar. From an early age, his interests in astronomy and calendrical science would lead him onto a distinguished path as a state bureaucrat.
In matters of administrative government, he had attained the rank of Ambassador and President of the Ministry of Personnel at the capital of Kaifeng, and was known also as an expert in administration and finance.Needham, Volume 4, 32. Eventually, he also rose to the post of Vice President of the Chancellery Secretariat. Among many honorable positions and titles conferred upon him, Su Song was also one of the 'Deputy Tutors of the Heir Apparent'. At court, he chose to distance himself from the political rivalries of the Conservatives, led by Prime Minister
Sima Guang, and the Reformists, led by Prime Minister Wang Anshi; although many of his associates were of the Conservative faction. In
1077 he was dispatched on a diplomatic mission to the Liao Dynasty of the
Khitan people to the north,Needham, Volume 4, 446-447. sharing ideas about calendrical science, since the Liao state had created its own calendar in 994 AD.Bowman, 105. In an embarrassing event, Su Song admitted to the emperor that the calendar of the Khitan people was in fact a bit more accurate than their own, resulting in the fining and punishment of officials in the Bureau of Astronomy and Calendar.Needham, Volume 4, 447. In 1081, the court issued Su Song to compile into a book the diplomatic history of Song-Liao relations, which he completed in a total set of 200 volumes.Breslin, 14. With his extensive knowledge of cartography, Su Song was able to settle a heated border dispute with the Liao state.Wright, 213.
with
Mercator projection, from Su Song's
Xin Yi Xiang Fa Yao, 1092.Su Song also created a celestial atlas as well (in five separate maps), which had the hour circles between the xiu (lunar mansions) forming the Meridian (astronomy), with stars marked in quasi-orthomorphic cylindrical projection on each side of the
equator, and thus was in accordance to their north polar distances.Needham, Volume 4, Part 3, 569. Not until the work of Gerard Mercator in 1569 was a celestial map of this projection created in the Western world. Furthermore, Su Song must have taken advantage of the astronomical findings of his political rival and contemporary astronomer Shen Kuo (
1031–1095).Needham, Volume 3, 278. This is so because Su Song's fourth star map places the position of the pole star halfway between Tian shu (-350 degrees) and the current Polaris; this was the more accurate calculation (by 3 degrees) that Shen Kuo had made when he observed the pole star over a period of three months with his width-improved sighting tube. There were many star maps written before Song's book, but the greatest significance of these star maps by Su Song is that they represent the oldest existent star maps in printing form.Sivin, III, 32.
In the year 1070 Su Song and a team of scholars compiled and edited
Ben Cao Tu Jing (Illustrated Pharmacopoeia, original source material from 1058–1061 AD), which was a groundbreaking treatise on pharmaceutical
botany,
zoology, and mineralogy.Wu, 5. In compiling information for pharmaceutical knowledge, Su Song worked with such notable scholars as Zhang Yuxi, Lin Yi, Zhang Dong, and many others.Unschuld, 60. This treatise documented a wide range of pharmaceutical practices, including the use of ephedrine as a drug.Needham, Volume 4, 446. It also includes valuable information on metallurgy, with the steel and
iron industries during 11th-century China. In this written work he created a systematic approach to listing various different minerals and their use in medicinal concoctions, such as all the variously known forms of mica that could be used to cure ills through
digestion.Needham, Volume 3, 648. Su Song also wrote of the
subconchoidal fracture of native cinnabar, signs of
ore beds, and provided description on crystal form.Needham, Volume 3, 649. Similar to the ore channels formed by circulation of ground water written of by the later
Germany scientist
Georgius Agricola, Su Song made similar statements concerning
copper carbonate, as did the earlier
Ri Hua Ben Cao of 970 AD with copper sulphate. It was also the first pharmaceutical treatise written in China to describe the
flax Linaceae,
Urtica thunbergiana, and
Corchoropsis tomentosa (crenata) plants.Needham, Volume 6, Part 1, 174, 175.
Su Song compiled one of the greatest Chinese
horological treatises of the Middle Ages, surrounding himself with an entourage of notable engineers and astronomers to assist in various projects.
Xin Yi Xiang Fa Yao (lit. "Essentials of a New Method for Mechanizing the Rotation of an Armillary Sphere and a Celestial Globe"), written in
1092, was the final product of his life's achievements in horology and clockwork. Fortunately, this book of Su's that was handed down included 47 different illustrations of great detail of the mechanical workings for his astronomical clock
clocktower.Ceccarelli, 58.
Su Song's greatest project was the 40-foot-tall water-powered astronomical clocktower constructed in Kaifeng, the wooden pilot model completed in 1088, the bronze components cast by 1090, while the wholly finished work was completed by 1094 during the reign of Emperor Zhezong of Song.Fry, 9.Needham, Volume 4, Part 2, 495. The emperor had previously commissioned Han Gonglian, Acting Secretary of the Ministry of Personnel, to head the project, but the leadership position was instead handed down to Su Song. The emperor ordered in
1086 for Su to reconstruct the
hun yi, or "armillary clock", for a new clock-tower in the capital city. Su worked with the aid of Han Gong-lian, who applied his extensive knowledge of mathematics to the construction of the clock-tower.Needham, Volume 4, 39. A small-scale wooden model was first crafted by Su Song, testing its intricate parts before applying it to an actual full-scale clock tower.Needham, Volume 4, 465. In the end, the clock-tower had many impressive features, such as the water-powered, rotating armillary sphere crowning the top-level and weighing some 10 to 20 tons, a bronze celestial globe located in the middle that was 4.5 feet in diameter, mechanically-timed and rotating
manikins dressed in miniature Han Chinese clothing that would exit miniature opening doors to announce the time of day by presenting designated reading plaques, ringing bells and gongs, or beating drums,Needham, Volume 4, 455. a sophisticated use of oblique gears and an escapement mechanism,Needham, Volume 4 456. as well as an exterior
facade of a fanciful Chinese pagoda. Upon its completion, the tower was called the
Shui Yun Yi Xiang Tai, or "Tower for the Water-Powered Sphere and Globe". Joseph Needham writes:
for Su's celestial globe,
Xin Yi Xiang Fa Yao, 1092.
Years after Su's death, the capital city of Kaifeng was besieged and captured in 1127 by the Jurchens of the Manchurian-based Jin Dynasty, 1115–1234.Wright, 96. The clock-tower was dismantled piece by piece by the Jurchens, who carted its components back to their own capital in modern-day
Beijing. However, due to the complexity of the tower, they were unable to successfully piece it back together. The new
Emperor Gaozong of Song instructed Su's son, Su Xie, to construct a new astronomical clock-tower in its place, and Su Xie set to work studying his father's texts with a team of other experts. However, they were also unsuccessful in creating another clock tower, and Su Xie was convinced that Su Song had purposefully left out essential components in his written work and diagrams so that others would not steal his ideas. As the sinologist historian
Derk Bodde points out, Su Song's astronomical clock did not lead to a new generation of mass producing clockworks throughout China since his work was largely a government-sponsored endeavor for the use of astronomers and
astrologers in the imperial court.Bodde, 362. For the most part, basic waterclocks and incense time keepers were used in widespread fashion throughout China, yet the mechanical legacy of Su Song did not end with his work, as the rulers of the continuing Yuan Dynasty (1279–1368 AD) had a vested interest in the advancement of mechanical clockworks.Fry, 12. The astronomer
Guo Shoujing helped restore the
Beijing Ancient Observatory beginning in 1276, where he crafted a water-powered armillary sphere and clock with jack-works being fully implemented throughout the device.Needham, Volume 4, Part 2 504-505. Complex gearing for uniquely Chinese clockworks were continued in the Ming Dynasty (1368–
1644), with new designs driven by the power of falling sand instead of water, and some Ming clocks perhaps featured reduction gearing rather than the earlier escapement of Su Song.Needham, Volume 4, Part 2, 509-512. The earliest such design of a sand-clock was made by Zhan Xiyuan around 1370, which featured not only the scoop wheel of Su Song' device, but also a new addition of a
Dial (measurement) over which a pointer circulated, much like new European clocks of the same period.Needham, Volume 4, Part 2, 511.
Su Song's escapement mechanism
Su Song's escapement is similar and reminiscent of the anchor escapement found in European clockworks of the 17th century.Needham, Volume 4, 462. In Su Song's waterwheel linkwork device the action of the escapement's arrest and release are achieved by gravity exerted periodically as the continuous flow of liquid would fill containers of limited size. In a single line of evolution, Su Song's clock therefore united the concept of the clepsydra and the mechanical clock into one device run by mechanics and hydraulics. In his memorial, Su Song wrote about this concept:
In his writing, Su Song accredited the predecessor of his working clock to the hydraulic-powered armillary sphere of
Zhang Heng (78–
139 AD), an earlier Chinese scientist. Su Song also gained much of his influence from the earlier armillary sphere created by Zhang Sixun (976 AD), who also employed the escapement mechanism and used liquid mercury (element) instead of water in the waterwheel of his astronomical clock tower (since liquid mercury would not freeze during winter and would not corrode and rust metal components over time).Needham, Volume 4, 469-471. However, Su Song stated in his writing that after Zhang's death, no one was able to replicate his device, much like his own.Needham Volume 4, 470.
The mechanical clockworks for Su Song's astronomical tower featured a great driving-wheel that was 11 feet in diameter, carrying 36 scoops on its circumference, into each of which water would pour at uniform rate from the 'constant-level tank' (Needham, Fig. 653). The main driving shaft of iron, with its cylindrical necks supported on iron crescent-shaped bearings, ended in a pinion which engages with a gear-wheel at the lower end of the main vertical transmission-shaft.Needham, Volume 4, 451.
Joseph Needham gives a general description of the clock-tower itself:
That was figure Fig. 650, while Fig. 656 displays the upper and lower
norias with their tanks and the manual wheel for operating them.
Fig. 657 displays a rather miniature and scaled-down pic for the basics of the escapement mechanism in an illustration (from Su's book), with Needham's caption here in this quote: "The 'celestial balance' or escapement mechanism of Su Sung's clockwork (Xin Yi Xiang Fa Yao, ch. 3, p. 18b),".Needham, Volume 4, 458. The latter figure carefully labels:
- a right upper lock
- upper link
- left upper lock
- axle or pivot
- long chain
- upper counterweight
- sump
- checking fork of the lower balancing lever
- coupling tongue
- main (ie. lower) counterweight.
Figure 658. displays a more intricate and most-telling half-page scale drawing of Su Song's large escapement mechanism, labeling these individual parts as they interact with one another:
- arrested spoke
- left upper lock
- scoop being filled by
- water jet from constant-level tank
- small counterweight
- checking fork tripped by a projection pin on the scoop, and forming the near end of
- the lower balancing lever with
- its lower counterweight
- coupling tongue, connected by
- the long chain with
- the upper balancing lever, which has at its far end
- the upper counterweight, and at its near end
- a short length chain connecting it with the upper lock beneath it;
- right upper lock Needham, volume 4 460.
The endless chain drive
, used in Su Song's clock tower to operate the rotation of the armillary sphere.The world's oldest illustrated depiction of an endless power-transmitting chain drive is from Su Song's horological treatise. It was used in the clockworks for coupling the main drive shaft to the armillary sphere gearbox (rotating three small pinions),Needham, Volume 4, 457. as seen in Needham's Fig. 410 and Fig. 652. This belonged to the uppermost end of the main vertical transmission shaft, incorporating right angle gears and oblique gears connected by a short idling shaft. The toothed ring gear called the diurnal motion gear ring was fit around the shell of the armillary sphere along the declination parallel near the southern pole.Needham, Volume 4, 456-457. Although the ancient
History of Greece Philo of Byzantium (3rd century BC) featured a sort of endless belt for his magazine ballista, which did not transmit continuous power, the influential source for Su Song's chain drive is most likely the continuously-driven chain pump known in China since the Han Dynasty (202 BC–
220 AD). From his horological treatise, Su Song states:
In addition, the motion gear rings and the upper drive wheel both had 600 teeth, which by Su's mathematical precision carefully calculated measured units of the day in a division of 1/600.Fry, 11. These gears having 600 teeth would thus ensure the division the day into basic unit measurements of 2 minutes and 24 seconds.
Su Song's armillary sphere
era armillary sphere found at the Beijing Ancient Observatory.In Joseph Needham's third volume of
Science and Civilization in China, the drawing for Fig. 159 displays a drawing of Su Song's armillary sphere (as depicted in his 11th century treatise), complete with three 'nests' or layers of mechanically-rotated rings. It was the earlier Chinese astronomer Li Chun-feng of the Tang Dynasty who in 633 AD created the first armillary sphere with three layers to calibrate multiple aspects of astronomical observation.Needham, Volume 3, 343. Zhang's armillary sphere has often been compared to the 13th century monarch
Alfonso X of Castile in
Islamic-era
Spain. The chief difference was that Alfonso's instrument featured an arrangement for making measurements of the
azimuth and altitude, which was present in the
Arabic tradition, while Su Song's armillary sphere was duly graduated.Needham, Volume 3, 353. For the drawing of Su's armillary sphere, the listing of components are:
- The Outer Nest Needham, Volume 3, 351.
- meridian circle
- horizon circle
- outer equator circle
- The Middle Nest
- solstitial colure circle
- ecliptic circle
- diurnal motion gear-ring, connecting with the power-drive
- The Inner Nest
- polar-mounted declination ring or hour-angle circle, with
- sighting tube attached to it and strengthened by a
- diametral brace
- Other Parts
- vertical column concealing the transmission shaft
- supporting columns in the form of dragons
- cross-piece of the base, incorporating water-levels
- south polar pivot
- north polar pivit
Transmission of Su's text throughout time
When Su Song's
Xin Yi Xiang Fa Yao was written in 1092 and the horological monograph finalized and presented in 1094, his work was published and widely printing in the north (see woodblock printing and movable type of Bi Sheng). In the south, printing and circulation of his work was not widely distributed until Shi Yuanzhi of Jiangsu had it printed there in 1172.
The later Ming Dynasty/Qing Dynasty scholar Qian Zeng (1629–1699) held an old volume of Su's work, which he faithfully reproduced in a newly-printed edition. He took special care in avoiding any rewording or inconsistencies with the original text as well. Again, it was later reprinted by Zhang Xizu (1799–1844).
In the realm of modern research, the deceased British biochemist and historian of Chinese science Joseph Needham (1900–1995) (known as Li Yuese in China) has done extensive research and analysis of Su Song's texts and various achievements in his
Science and Civilization in China book series. Joseph Needham had also related many detailed passages from Su's contemporary medieval Chinese sources on the life of Su and his achievements known in his day.
Interestingly enough, Su Song's treatise on astronomical clockwork was not the only one made in China during his day, as the
Song Shi (compiled in 1345) records the written treatise of the
Shui Yun Hun Tian Ji Yao (Wade-Giles:
Shui Yun Hun Thien Chi Yao; lit. Essentials of the of making Astronomical Apparatus revolve by Water-Power), written by Juan Taifa. However, this treatise no longer survives.Needham, Volume 4, 450.
See also
Notes
References
- Bodde, Derk (1991). Chinese Thought, Society, and Science. Honolulu: University of Hawaii Press.
- Bowman, John S. (2000). Columbia Chronologies of Asian History and Culture. New York: Columbia University Press.
- Breslin, Thomas A. (2001). Beyond Pain: The Role of Pleasure and Culture in the Making of Foreign Affairs. Westport: Praeger Publishers.
- Ceccarelli, Marco (2004). International Symposium on History of Machines and Mechanisms. New York: Kluwer Academic Publishers.
- Fry, Tony (2001). The Architectural Theory Review: Archineering in Chinatime. Sydney: University of Sydney.
- Needham, Joseph (1986). Science and Civilization in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth. Taipei: Caves Books, Ltd.
- Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 2: Mechanical Engineering. Taipei: Caves Books, Ltd.
- Needham, Joseph (1986). Science and Civilization in China: Volume 4, Physics and Physical Technology, Part 3, Civil Engineering and Nautics. Taipei: Caves Books, Ltd.
- Needham, Joseph (1986). Science and Civilization in China: Volume 6, Biology and Biological Technology, Part 1, Botany. Taipei: Caves Books Ltd.
- Sivin, Nathan (1995). Science in Ancient China: Researches and Reflections. Brookfield, Vermont: VARIORUM, Ashgate Publishing.
- Unschuld, Paul U. (2003). Nature, Knowledge, Imagery in an Ancient Chinese Medical Text. Berkeley: University of California Press.
- Wright, David Curtis (2001) The History of China. Westport: Greenwood Press.
- Wu, Jing-nuan (2005). An Illustrated Chinese Materia Medica. New York: Oxford University Press.
External links
- Su Song's Clock 1088
- Su Song in the Britannica Encyclopedia
- Miniature working replica by the Japanese Tanseisha Company
- The Ben Cao Tu Jing at the James Lind Library
Su Song - Wikipedia, the free encyclopedia
Su Song (traditional Chinese: 蘇頌; simplified Chinese: 苏颂; pinyin: Sū Sòng; style name: Zirong 子容) [2] (1020 – 1101 AD) was a renowned Chinese statesman, astronomer ...
Song Dynasty - Wikipedia, the free encyclopedia
Su Song was best known for his horology treatise written in 1092, which described and illustrated in great detail his hydraulic-powered, 12 m (40 ft) tall astronomical clock tower ...
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Su Song (born 1020, Fujian Province, China — died 1101, Kaifeng) Chinese scholar and administrative and financial expert in the imperial
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